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Sonically, Truth, Liberty & Soul is also, hands down, the best-sounding Word of Mouth recording ever.and that includes the original (and not at all shabby-sounding) live albums Invitation (Warner Bros., 1983), the expanded two-volume, Japanese-only release of the full concert from which Invitation was culled (1999's Twins I & II: Live in Japan, from Warners Japan), and the posthumous 1995 release of The Birthday Concert (Warner Bros.), the first live performance of a series of big band charts that would go on to become the core repertoire of the Word of Mouth Big Band, recorded at the bassist's 30th birthday party in Fort Lauderdale, FL. This exhilarating set is a real find, for Jaco fans and left-field big-band followers alike.
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The riff-shouting, soul-jazzy Pastorius standby The Chicken is constantly stung by the leader’s springy, ever-changing basslines, the fast Charlie Parker bebop classic Donna Lee is implausibly and audaciously unfolded as a unison bass and tuba theme, Three Views of a Secret sets a lyrical Thielemans free over floating Gil Evans-like harmonies, the world-music of the slithery, simmering Reza turns into Coltrane’s Giant Steps, and three drummers including Peter Erskine and Don Alias are explosive and remarkably melodic by turns.
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This previously unreleased live set captures a blistering two-hour gig from Pastorius’s soulful, swinging and very full-on Word of Mouth orchestra in 1982, with saxophonist Bob Mintzer, trumpeter Randy Brecker and harmonica maestro Toots Thielemans in the ranks. In his short life, Jaco Pastorius revolutionised the bass guitar, and lifted the music of key jazz-fusioneers Pat Metheny and Weather Report in the 1970s – but his ambition was to form a big band. Some highlights don’t involve the full 22-piece band at all: Pastorius’s long, Hendrix-quoting solo on “Bass and Drum Improvisation” and his duet with the harmonica player Toots Thielemans on Duke Ellington’s “Sophisticated Lady.” “Truth, Liberty and Soul” comes from the band’s performance at Lincoln Center’s Avery Fisher Hall, during the Kool Jazz Festival that year.
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Collecting some of the best young figures in jazz and fusion, the group was a startling reminder of how broad Pastorius’ talents were: He was able to arrange his bubbling jazz-funk on a grand scale, using a rather traditional jazz band format (well, plus steel pan). He had a new large ensemble, the Word of Mouth Big Band (named after the 1981 Pastorius album that provided much of its repertoire). The bassist-composer would have turned 64 this week.In the summer of 1982, Jaco Pastorius had just left Weather Report, and he was widely known as the best electric bassist in the world. In 1987, after a night of not-atypical misadventure, Pastorius, who suffered from bipolar disorder exacerbated by drug abuse, was killed by a bouncer who beat him mercilessly. He issued three studio albums during his lifetime and formed several novel bands under the Word of Mouth banner energized Weather Report when he joined the group in 1976 and was partner to Joni Mitchell on her greatest recordings. But his reputation was also earned by his compositions that packaged a similarly delightful blend. Pastorius‘s daring, technically precise electric-bass playing revealed his vision for the instrument that went beyond its traditional supportive position into an expanded role in the ensemble via a taste for counterpoint, the pursuit of melody and a readiness to cross genres. Produced by Robert Trujillo, best known as Metallica’s bassist, “Jaco” celebrates a brief but remarkable career, but also considers how Pastorius’s short tumultuous life unraveled so thoroughly. Jaco Pastorius is still the greatest electric bass player, and evidence to support that claim-one he was known to make himself-is presented in the new documentary “Jaco,” available now on DVD, Blu-ray and via streaming services.